| Dimensions (W x H x D mm) | 310mm / 12.2″ x 504 mm / 19.8″ x 63mm / 2.5″ |
| Weight | 6.2kg / 13.7lb |
| Mount points | Top: 4 x 1/4′ 20, 2 x 3/8″, Bottom: 6 x 1/4′ 20, 3 x 3/8″ Right: 4 x 1/4′ 20, 2 x 3/8″, Left: 2 x 1/4′ 20, 1 x 3/8″ |
| VESA mount | 100 x 100 |
| Environmental | |
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| Ambient operating temperature | Up to 40 Degrees Celsius |
| Construction and Control | |
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| Cooling | Actively controlled fan and Heat Sink |
| Tally light | Rear and front |
| Multi-function button | Power / lock Screen |
| Touch Screen | Yes |
| Power | |
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| Input voltage | DC 12-16.8v |
| Operating power | 75W |
| Compatible batteries | V-Lock / Anton Bauer Gold Mount via XLR terminal, (optional mounting plates available), 95Wh+ recommended. |
| Battery voltage | 14.4V nominal |
| Battery Run time (Record) | Depends on Watt Hours specification of battery used |
| Battery Run time (Monitor only) | Depends on Watt Hours specification of battery used |
| Continuous power | Dual Battery input via dedicated 4 pin XLR |
| DC in connector | 1 x 4 pin XLR (12-16.8V) |
| Dtap | Via optional D-Tap to 4 Pin XLR cable. |
| Display | |
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| Touchscreen | SuperAtom IPS panel (capacitive touch) |
| Size | 19″ |
| Resolution | 1920 x 1080 |
| PPI | 120 |
| Bit depth | 10Bit (8+2 FRC) |
| Backlight Type | Optically bonded quantum dot |
| Brightness (cdm2 / nits) | 1200nit (+/- 10% @ center) |
| Aspect ratio | 16:9 Image Display |
| De-interlace mode | Yes |
| Color Gamut | DCI P3 |
| Calibration support | Atomos Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus |
| Color Pipeline | |
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| Gamma | Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 /LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic V-log, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm F log, PQ (HDR10), HLG, Nikon N-Log |
| Gamut | BT2020, DCI P3, DCI P3+, DCI p3 65, Sony SGamut / SGamut3 / SGamut3.cine, Canon Cinema, Panasonic V Gamut, Arri Alexa Wide Gamut, Rec709, JVC LS300, F-Gamut, Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut |
| 3D LUT Display | .Cube format |
| 3D LUT Output | Loop out |
| 3DLUT 50/50 | Yes |
| Monitoring Modes | Native/ 709 / HLG / PQ / 3D LUT |
| HDR output Conversion | HDR to HLG / PQ |
| Color Management | |
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| Calibration | Atomos Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus |
| Display Controls | Backlight, Lift, Gamma, Gain |
| AtomHDR | Built in Technical Log to HDR EOTF |
| 3D LUTs | Display, monitor and output, Record, Load via SSD |
| Legalize | Full to Legal conversion available on Input |
| Video Input | |
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| HDMI | 1 x HDMI (2.0) 4K p60 |
| HDMI RAW | No – HDMI Video only |
| SDI | 4 x 3G SDI, with 2 x 12G SDI backwards compatible, auto detection |
| SDI RAW | Apple ProRes RAW up to 6Kp30 |
| Bit Depth | 8/10Bit Video / RAW up to 12Bit |
| Video Chroma Subsampling | YCbCr 422 |
| HDR | Yes with Auto detection |
| Metadata | |
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| SDI | File Name from Arri, RED. RAW – white balance, Exposure index, Shutter speed/angle, Iris F stop, ISO, Gamma, gamut |
| File Naming | |
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| Standard | S/S/T & Rolling |
| Via SDI | Red, Arri |
| Video Output | |
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| HDMI | 1 x HDMI (2.0) 4K p60 |
| SDI loop out | 1 x 12G SDI Backwards compatible, Auto detection. Level A and B selectable |
| SDI Play out | 1 x 12G SDI Backwards compatible, Auto detection. Level A and B selectable |
| Video Chroma Subsampling | 422 |
| Bit Depth | 10Bit Video / 12Bit RAW |
| Web Streaming | |
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| USB UVC | Optional via ZATO Connect / USB Stick |
| Video Signal Conversion | |
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| HDMI to SDI | Yes |
| SDI to HDMI | Yes – Video and RAW |
| Audio In/Out | |
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| Audio Quality | 24-Bit / 48kHz |
| Audio Codec | PCM |
| HDMI | 8ch 24Bit, input dependent |
| SDI | 12ch 24Bit, input dependent |
| Analogue Audio in | 2 x XLR |
| Analogue Audio Out | 2 x XLR |
| Speakers | 2 x 5w |
| Headphone out | 3.5mm 2ch. |
| Timecode / Sync | |
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| Embedded | SDI and HDMI |
| Time of day | Yes, Time and Date |
| LTC | LTC via BNC input in Record mode |
| Genlock | Genlock in Playback mode |
| Resolution and Frame Rates (Record, Monitor & Playback) | |
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| 4k DCI | up to 4Kp60 |
| 4k UHD | up to 4Kp60 |
| 2K DCI 2046 x 1080 | up to 2Kp60 |
| FHD 1920 x 1080 Progressive | up to 1080p120 |
| FHD 1920 x 1080 PsF | Pull down |
| FHD 1920 x 1080 Interlaced | 1080i50 / 1080i60 |
| 1280 x 720p | 60p |
| 6K RAW | up to 6Kp30 Via SDI |
| 4K RAW | up to 4Kp60 via SDI |
| 2K RAW | up to 2Kp240 via SDI |
| Recording CODEC | |
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| CDNG | For SDI RAW inputs Only |
| Apple ProRes RAW | ProRes RAW, ProRes RAW HQ up to 12bit 6Kp30 / 4Kp60 |
| Apple ProRes | Apple ProRes HQ / 422 / LT up to 4Kp60 |
| Avid DNxHD | up to 1080p60 |
| Avid DNxHR | up to 4Kp60 |
| Playback | |
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| Playlist | Yes, Create custom play lists from full or sub clips |
| Loop | Yes, with user customizable in / out markers |
| CDNG | No |
| Apple ProRes Raw | Yes, recorded clips with linear PCM |
| Apple ProRes | HQ / 422 / LT – Yes with linear PCM |
| Avid DNx | DNxHR / DNxHD – Yes with linear PCM |
| Monitoring | |
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| SDR | Native, 709, LUT |
| HDR | HLG, PQ Rec2020 |
| De-Interlace | Selectable mode |
| Recording functions | |
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| Pre-roll record | Yes (HD 8s, 4K 2s) – Not available in RAW |
| ISO Record | 4 x ISO up to 1080p 60 (3G SDI Level A ONLY) |
| Switched Program Record | Yes Up to 1080p 60 |
| Timelapse | Yes |
| Multi Input / Switching | |
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| SDI A/B toggle | Yes, supports up to 12G SDI per input |
| Dual Input display | Via Multi ISO input mode |
| Multiple SDI input | Up to 4 x up to 1080p 60 (3G SDI Level A ONLY) |
| Multiview Display | Via Multi ISO input mode |
| Input transitions | Auto or manual XML transition |
| Input Switching | Yes |
| Supported media | |
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| Master Caddy I | No |
| SSDmini | Yes (AtomX SSDmini handle required) |
| CFast II | Not supported |
| File System | ExFAT |
| Interface | SATA 3 |
| Master Caddy III | Yes |
| On screen tools | |
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| Waveform | 3 sizes |
| RGB parade | 3 sizes |
| Vector scope | 2 size / Position |
| 1 x Zoom | Yes. 1:1 Pixel mapping for 4K |
| 2 x Zoom | Yes |
| Focus peaking | Colour selected / threshold setting / colour/ Mono / edges only |
| False colour | Yes, with IRE scale |
| Zebra | Yes, customisable |
| Isolate color channel | Blue only |
| Cine Frame Guides | 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3 |
| Social Frame guides | 9:16, 1:1, 1.91:1, 4:5 |
| Safe areas | SMPTE frame size – Action and Safe |
| Grid markers | 9 grid |
| Anamorphic desqueeze | Display 1.25x, 1.33x, 1.5x, 1.8x and 2x |
| Display Flip | Vertical |
| False Color | Yes, with IRE scale |
| Onboard Signal Processing | |
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| 4K UHD Downscale for HD | Loop out – 4K UHD to FHD |
| DCI Crop | Loop out – 17:9 to 16:9 Crop |
| I > P | 60i > 24p (3:2 pulldown) |
| PSF > P | 24/25/30pSF > 24/25/30p (2:2 pulldown) |
| Remote control | |
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| HDMI | Auto HDMI Trigger, Supported Protocols – Canon, Sony, Atomos Open Standard |
| SDI | SDI trigger, camera selectable |
| Serial 2.5mm Jack | LANC control and calibration via optional USB to serial cable |
| Cut & Tag | |
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| FCP XML | Cut tag EDL and Multicam with transitions in FCP XML |
| Supported Applications | |
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| XML | Apple Final Cut Pro |
| Apple ProRes RAW | Apple Final Cut Pro, Adobe Premiere, Avid Media Composer, Grass Valley Edius, ASSIMILATE SCRATCH |
| Video Codecs | All applications with support for Apple ProRes and Avid DNX in .MOV wrapper |
| What’s in the box | |
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| Accessories included | SUMO 19SE unit, 1x Master Caddy II, 1x BattWing mounting bracket with 4x screws, 2x Desktop Feet with 4x 1/4” Mounting screws, AC power supply |
| Optional extras | Sunhood, UltraSync One, HDMI cables, USB to serial cable |
| Warranty | |
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| Standard | 1 Year |
| Extended | 3 Years |
| Target use / User | |
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| Cinema | Yes |
| Director Monitor | Yes |
| Mixer/Swircher/ProAV | Yes |
| Rack/OB | Yes |
| DIT/Video Village | Yes |
| Pro Video | Yes |
| Editor/Colorist | Yes |
