canon

Canon EOS C80 – Full-Frame Cinema Camera (Canon RF)

Canon’s cinema EOS lineup expands with the launch of a professional powerhouse to give your video and live productions the full frame edge.

A mighty 6K full frame BSI stacked CMOS sensor sits in the EOS C80’s compact and ergonomic body, plus RF mount and Dual Pixel CMOS AF II technology delivers outstanding imaging and flexibility in your productions. The EOS C80 is designed to excel in your customer’s professional video and live productions, where high image quality and performance, compact, familiar design plus flexible ergonomics are key to single operator or small team productions.

SKU: C-C80 Category: Tag:
Description

Features

Full frame 6K BSI sensor
Capture breathtaking footage with Canon’s cutting-edge backside illuminated (BSI) sensor, delivering next-generation capabilities, triple base ISO (800 / 3200 / 12800), organic colour reproduction, and 16 stops of dynamic range.

Compact, ergonomic and familiar design
A familiar and updated design delivers improved ergonomics, connectivity, plus updated joystick and multi-function shoe. Use the top handle or build your own rig, with flexibility to shoot your way in challenging conditions.

Dual Pixel CMOS AF II with EOS iTR AF X
Enjoy updated, faster auto focus technology. Pin-sharp and ultra-responsive face, eye, head, body, and animal tracking covering the full sensor. Have full control with face-only recognition and customisable settings to help ensure your focus never slips.

Professional recording formats and high frame rates
Including 12-bit Cinema RAW Light LT up to 6K 30P, and 4:2:2 10-bit up to 4K 120P. Oversampled 4K is available via XF-AVC and improved XF-AVC
S / XF-HEVC S (MP4) formats, all featuring detailed metadata and filename structures. Output HDMI RAW to compatible external recorders.

RF mount
Rely on cutting-edge prime, zoom, and cinema lenses for unrivalled optical performance, real-time lens metadata, and ultra-responsive AF/IS systems. Easily use your PL and EF lenses with a Canon mount adapter.

Uncompromised connectivity
Professional on-body I/O includes
12G-SDI, HDMI, 2x mini-XLR, Mic In, Remote, and Timecode. Built-in Wi-Fi / Ethernet enables real-time IP streaming (SRT / RTSP) and remote control via XC Protocol and Multi-Camera Control app. Expandable with Canon’s Multi-Function Shoe.

Designed for the future
Real-time lens metadata output and capture for VP and VFX with support for Unreal Engine and After Effects, including distortion correction data. And create immersive VR experiences with Canon’s RF 5.2mm F2.8L Dual Fisheye lens.

Technical Specifications

Image Sensor

  • Sensor
    Full Frame Back-Side Illuminated (BSI) CMOS sensor
  • Filter
    RGB primary color filter (Bayer array)
  • Sensor Modes
    Full Frame / Super 35mm (crop)
  • Total Pixels
    Approx. 26.67 megapixels (6202×4300)
  • Effective Pixels
    Approx. 19.05 megapixels (6008×3170)：When 6000×3164 / 4096×2160 / 2048×1080 is selected as the resolution
    Approx. 17.86 megapixels (5634×3170)： When 3840×2160 / 1920×1080 is selected as the resolution
  • Effective Sensor Screen Size
    Full Frame:
    36.0 x 19.0 mm (40.7 mm on the diagonal)： When 6000×3164 / 4096×2160 / 2048×1080 is selected as the resolution
    33.8 x 19.0 mm (38.7 mm on the diagonal)： When 3840×2160 / 1920×1080 is selected as the resolution
  • Dynamic Range
    Canon Log 2: 1600% / 16 stops (at ISO 800)
    Canon Log 3: 1600% / 14 stops (at ISO 800)
    Base ISO: 800 / 3200 / 128001

Image Processor

  • Type
    DIGIC DV7

Lens

  • Lens Mount
    Canon RF mount
    PL mount support via PL-RF Mount Adapter
    EF mount support via EF-EOS R Mount Adapter
  • Lens Magnification Factor
    Full frame;
    6000×3164, 4096×2160 or 2048×1080: Actual focal length x Approx. 1.06
    3840×2160 or 1920×1080: Actual focal length x Approx. 1.12Super 35mm (Crop);
    4368×2304, 4096×2160 or 2048×1080: Actual focal length x Approx.1.46
    3840×2160 or 1920×1080: Actual focal length x Approx.1.54
  • Digital Lens Correction
    Peripheral Illumination Correction
    Chromatic Aberration Correction
    Diffraction Correction
    Distortion Correction (RF lenses only)
  • ND Filter
    2, 4 or 6 Stops. Up to 10 stops via built in ND filter system (in extended mode)
  • Iris Control (EF Mount Lenses)
    1/2-stop, 1/3-stop or FINE control
    Auto Iris
  • Cooke /i Technology™ Support
    Only when equipped with PL-RF Mount Adapter
  • Anamorphic Lens Support
    x2.0 / x1.8 / x1.3
  • Image Stabilization System
    5-Axis Combination IS (Optical and Digital) with supported lenses
    Digital 5-Axis IS for non IS lenses.

Recording

  • Internal Recording Media
    2x SD Card (SD / SDHC / SDXC)
  • Recording Time
    Cinema RAW Light LT: 6000 x 3164 576 Mbps: approx. 118 Mins
    Cinema RAW Light ST: 4368 x 2304 470 Mbps: approx. 145 Mins
    XF-AVC: 4096×2160 500 Mbps: approx. 136 Mins
    XF-AVC S: 4096×2160 500 Mbps: approx. 136 Mins
    XF-HEVC S: 4096×2160 135 Mbps: approx. 505 Mins2
  • Recording Formats
    Cinema RAW Light (CRM), XF-AVC (MXF), XF-AVC S (MP4), XF-HEVC S (MP4)
  • Relay Recording
    Yes3
  • Double Slot (Simultaneous) Recording
    Yes4
  • Simultaneous Recording in Multiple Formats
    Yes
  • System Frequency / Frame Rates
    59.94Hz mode (59.94P / 59.94i / 29.97P / 23.98P)
    50.00Hz mode (50.00P / 50.00i / 25.00P)
    24.00 Hz mode (24.00P)
  • Cinema RAW Light Bit Rate / Bit Depth (PAL)
    12-bit Cinema RAW Light LT:
    FF / 6000 x 3164 / 25P [576 Mbps]
    S35 / 4368 x 2304 / 50P [611 Mbps]
    S35 / 4368 x 2304 / 25P [306 Mbps]12-bit Cinema RAW Light ST:
    S35 / 4368 x 2304 / 25P [470 Mbps]
  • XF-AVC Recording Bit Rate / Sampling (PAL / MXF)
    4:2:2 10-bit (Intra-frame):
    4096×2160 or 3840×2160 / 50P [500 Mbps]
    4096×2160 or 3840×2160 / 25P [500 / 375 / 250 Mbps]
    2048×1080 or 1920×1080 / 50P [250 Mbps]
    2048×1080 or 1920×1080 / 50i [125 Mbps]
    2048×1080 or 1920×1080 / 25P [125 Mbps]4:2:2 10-bit (Long GOP):
    4096×2160 or 3840×2160 / 50P [250 Mbps]
    4096×2160 or 3840×2160 / 25P [150 Mbps]
    2048×1080 or 1920×1080 / 50P [50 Mbps]
    2048×1080 or 1920×1080 / 50i [50 / 25 Mbps]
    2048×1080 or 1920×1080 / 25P [50 Mbps]
  • XF-AVC S Recording Bit Rate / Sampling (PAL / MP4)
    4:2:2 10-bit (Intra-frame):
    4096×2160 or 3840×2160 / 50P [500 Mbps]
    4096×2160 or 3840×2160 / 25P [500 / 375 / 250 Mbps]
    2048×1080 or 1920×1080 / 50P [250 Mbps]
    2048×1080 or 1920×1080 / 25P [125 Mbps]4:2:2 10-bit (Long GOP):
    4096×2160 or 3840×2160 / 50P [250 Mbps]
    4096×2160 or 3840×2160 / 25P [150 Mbps]
    2048×1080 or 1920×1080 / 50P [50 Mbps]
    2048×1080 or 1920×1080 / 25P [50 Mbps]4:2:0 8-bit (Long GOP):
    4096×2160 or 3840×2160 / 50P [150 Mbps]
    4096×2160 or 3840×2160 / 25P [100 Mbps]
    2048×1080 or 1920×1080 / 50P [35 Mbps]
    2048×1080 or 1920×1080 / 25P [35 Mbps]
  • XF-HEVC S Recording Bit Rate / Sampling (PAL / MP4)
    4:2:2 10-bit (Long GOP):
    4096×2160 or 3840×2160 / 50P [225 Mbps]
    4096×2160 or 3840×2160 / 25P [135 Mbps]
    2048×1080 or 1920×1080 / 50P [50 Mbps]
    2048×1080 or 1920×1080 / 25P [50 Mbps]4:2:0 10-bit (Long GOP):
    4096×2160 or 3840×2160 / 50P [150 Mbps]
    4096×2160 or 3840×2160 / 25P [100 Mbps]
    2048×1080 or 1920×1080 / 50P [35 Mbps]
    2048×1080 or 1920×1080 / 25P [35 Mbps]
  • Proxy Recording Bit Rate / Sampling (PAL)
    4:2:0 8-bit (Long GOP):
    2048×1080 or 1920×1080 [35 / 16 / 9 Mbps]
    1280 x 720 [6 Mbps]4:2:0 10-bit (Long GOP):
    2048×1080 or 1920×1080 [16 / 9 Mbps]5
  • Slow / Fast Motion
    6K RAW: up to 30FPS
    4K recording: up to 120FPS (Long GOP) / 60FPS (Intra-frame)
    2K recording: up to 180FPS (Long GOP) / 120FPS (Intra-frame)
  • Interval Record
    Yes
  • Frame Record
    Yes
  • Pre Record (Cache Record)
    3 Seconds6
  • Digital Tele-converter
    1.5x, 2x, 2.5x, 3x, Off
  • Photo Storage Media
    SD Card
  • Photo Recording Size
    4096×2160 / 3840×2160 / 2048×1080 / 1920×10807

System

  • Display Type
    3.5 inch LCD Touch Panel
  • Display Resolution
    approx. 2.76 million dots (1280xRGBx720)
  • Display Touch Screen Functions
    Focus Point Selection
    Touch Screen UI for Shooting Settings
  • OSD for Vertical Shooting
    Yes
  • Wave Form Monitor
    Yes (Line / Line + Spot / RGB Parade / YPrPb Parade)
  • False Colour Display (Exposure Indication)
    Yes (6 Colour Index)
  • Colour Bars
    SMPTE / EBU / ARIB
  • Peaking
    Peaking 1, Peaking 2 (Colour, Gain, Frequency customisable)
  • Zebra
    Level 1; Level 2; Both
  • Markers
    On/Off selectable: centre, horizontal / verstical, grid, aspect, safe area and user marker. Colour selectable

EVF

  • Built-In EVF
    No

Inputs / Outputs

  • Audio In
    2x Mini XLR 3-pin connector
    1x 3.5 mm stereo mini jack
    Built in Stereo microphones on camera body
  • Headphone Output
    1x 3.5mm stereo mini jack
  • Video Monitor Output
    No
  • HDMI
    1x HDMI (Type-A)
  • USB
    1x USB-C Data Terminal (USB3.2 Gen1)
  • SDI Output
    1x 12G-SDI Output (BNC)
  • Time Code
    1x BNC Terminal (Input / Output)
  • Genlock
    No
  • Sync
    No
  • DC Input
    1x 24V DC jack
  • Multi-Accessory Shoe
    Yes (via camera body)
  • Remote Control Terminal
    1x 2.5 mm stereo mini jack
  • Lens Terminal
    No
  • Ethernet Terminal
    1x RJ45 Connector (1000BASE-T compatible)
  • Grip
    No
  • IP Streaming / FTP
    IP Streaming via Ethernet / Wi-Fi connection
    9 Mbps / 4 Mbps: 1920 x 1080 (59.94p / 59.94i / 50.00p / 50.00i)
    UDP / RTP / SRT / RTP+FEC / RTSP+RTP
  • User LUT Input
    Yes, in-built LUTs available for monitoring.
    Custom LUTs can be applied directly to internal recordings via Look File function (compatible with 17 or 33 grid .cube files)
  • Video Connector
    No
  • Tally Signal
    Yes, via Wi-Fi or Ethernet using XC Protocol
  • Return Signal Input
    No
  • Default Function Button Settings
    1. WB
    2. SET WB
    3. PEAKING
    4. WFM
    5. DISP
    6. ZEBRA
    7. AUTO IRIS
    8. MAGN.
    9. FUNC
    10. (unassigned)
    11. (unassigned)
    12. AF LOCK
    13. AUDIO STATUS
  • User Assignable Buttons
    13x (Body)

Miscellaneous

  • Tally Lamp
    Yes, 1x
  • Custom Dial
    Yes, 3x
  • Software Application Support
    Cinema RAW Development
    XF Utility
    EOS VR Utility
    Remote Camera Control Application
    RAW Plugin for Avid Media Access
    RAW Plugin for Final Cut Pro
    XF Plugin for Avid Media Access
    EOS VR Plugin for Adobe Premiere Pro
    CV Metadata Plugin for Adobe After Effects
    Live Link Plugin for Unreal Engine
    CV Metadata Extraction Tool
    MP4 Join Tool
    HEVC Activator
  • Smartphone Application Support
    Canon Multi-Camera Control
    Content Transfer Professional
    Browser Remote Control

Exposure

  • Exposure Metering
    Standard / Spotlight / Backlight
  • Exposure Compensation
    AE shift function available. Target value (±8 steps from center)
  • Auto Exposure Mode
    Auto Iris / Auto ISO
  • Push Auto Iris
    Yes
  • Exposure Lock
    No
  • Auto Gain Control Setting
    Yes
  • ISO Sensitivity
    1-Stop Display:
    100* / 160** / 200 / 400 / 800 / 1600 / 3200 / 6400 / 12800 / 25600 / 51200* / 102400*
    1/3-Stop Display:
    100* / 125* / 160 / 200 / 250 / 320 / 400 / 500 / 640 / 800 / 1000 / 1250 / 1600 / 2000 / 2500 / 3200 / 4000 / 5000 / 6400 / 8000 / 10000 / 12800 / 16000 / 20000 / 25600 / 32000* / 40000* / 51200* / 64000* / 80000* / 102400*8
    *when ISO Extended Range is set to ON
    **when ISO Extended Range is set to OFF
  • Auto Focus System
    Dual Pixel CMOS AF II + EOS iTR AF X
  • AF Frame Sizes
    Full: approx. 100% (Vertical) x approx. 100% (Horizontal)
    Large Zone (Vertical): Video display range approx. 97% (Vertical) x 25% (Horizontal)
    Large Zone (Horizontal): Video display range approx. 43% (Vertical) x 76% (Horizontal)
    Zone: Video display range approx. 43% (Vertical) x 25% (Horizontal)
    Small Zone: Video display range approx. 15.9% (Vertical) x 11.8% (Horizontal)
  • Auto Focus Modes
    Continuous AF / One-Shot AF
  • Face Detection AF
    Yes (Eye / Face / Head / Body)
  • Animal Detection AF
    Yes (Dogs / Cats)
  • Focus Guide
    Yes, with compatible Canon lenses
  • Gain Setting
    -6dB*, -3dB*, -2dB**～42dB, 45dB*, 48dB*, 51dB*, 54dB*9
    *when ISO Extended Range is set to ON
    **when ISO Extended Range is set to OFF

Shutter

  • Control Modes
    Speed / Angle / Clear Scan / Slow Shutter
  • Shutter Speed
    1/1～1/2000 (total of 47 settings)
  • Shutter Angle
    11.25º to 360º depending on frame rate
  • Slow Shutter (SLS)
    1/3, 1/4, 1/6, 1/8, 1/12, 1/15, 1/25, 1/30 depending on frame rate
  • Clear Scan
    23.97 Hz～1971 Hz depending on sensor mode / frame rate

Custom Picture

  • Stored Configurations
    C1: Canon 709
    C2: Canon Log 2
    C3: Canon Log 3
    C4: BT.709 Wide DR
    C5: BT.709 Standard
    C6: PQ
    C7: HLG
    C8: EOS Standard
    C9: EOS Neutral
    C10: User10 ～User20
  • HDR-HLG Profile
    BT.2100: Corresponds to ITU-R BT.2100
    Vivid: Corresponds to Traditional Colour in ITU-R BT.2390
  • Colour Matrix
    Neutral: Accurate colour reproduction
    Production Camera: Colour reproduction for use in movie production
    Video: Colour reproduction with contrast for TV broadcasts.
  • Image Adjustment Parameters
    Master Pedestal
    Master Black
    Black Gamma
    Low Key Saturation
    Knee
    Sharpness
    Noise Reduction
    Skin Detail
    Colour Matrix Tuning
    White Balance
    Colour Correction

Wi-Fi & GPS Specifications

  • Wi-Fi (Optional Third Party Accessory)
    In-built (2.4 / 5GHz bands)
    Supporting 802.11a/b/g/n/ac
  • GPS Information (Optional Accessory)
    Only when equipped with GP-E2 GPS Receiver

White Balance

  • Auto
    Yes
  • Preset
    Daylight (5600K), Tungsten (3200K), Kelvin (2000K-15000K, 100K intervals), Set A, Set B
  • White Balance Shift
    -5 CC – +5 CC (Daylight / Tungsten)
    -20 CC – +20 CC (Kelvin)

Time Code

  • Count Up System
    Regen / RecRun / Free Run / External / Frame Count

Audio

  • Recording Format
    RAW / XF-AVC: Linear PCM (24-bit / 48 kHz, 4 channels)
    XF-AVC S / XF-HEVC S: Linear PCM (24-bit / 48 kHz, 4 channels) or MPEG2-AAC LC (16 bit 48kHz) 2 channels

Accessories

  • Supplied
    Handle Unit
    BP-A30N Battery Pack
    CA-CP300 B Compact Power Adapter
    CG-A20 Battery Charger
    Microphone Holder
    SS-1200 Shoulder Strap
  • Optional
    BP-A60N / BP-A30N Battery Pack
    BP-A30 / BP-A60 Battery Pack
    CG-A20 / CG-A10 Battery Charger
    PL-RF Mount Adapter
    EF-EOS R Mount Adapter
    EF-EOS R Control Ring Mount Adapter
    EF-EOS R Drop-In Filter Mount Adapter
    EF-EOS R 0.71x Mount Adapter
    Remote Camera Controller RC-V100
    Remote Camera Controller RC-IP100
    Remote Camera Controller RC-IP1000
    DM-E1D Multi-Function Shoe Directional Stereo Microphone
    OC-E4A Off-Camera Shoe Cord
    IFC-100U / IFC-400U Interface Cable
  • Third Party Accessories
    Tascam CA-XLR2d XLR Microphone Adapter

Power Source

  • Power Supply (Battery)
    BP-A30N (Supplied)
    BP-A60N / BP-A30 / BP-A60 (Optional)
  • Power supply (Mains)
    DC IN 24V Terminal
  • Power Consumption (Approx.)
    RAW LT, 6000×3164, 29.97P (14.5W)
    RAW LT, 4368×2304, 59.94P (18.2W)
    XF-AVC, 3840×2160, 59.94P (19.6W)
    XF-AVC, 2048×1080, 59.94P (17.9W)
  • Recording Time (Approx.)
    With supplied BP-A30N battery pack:
    RAW LT, 6000×3164, 29.97P: 170 Mins (Full Frame)
    RAW LT, 4368×2304, 59.94P: 135 mins (Super35)
    XF-AVC, 3840×2160, 59.94P: 125 mins (Full Frame)
    XF-AVC, 2048×1080, 59.94P: 140 mins (Super35)

Physical Specifications

  • Dimensions (Main Body Only)
    approx. 160 x 138 x 116 mm
  • Weight (Body Only)
    approx. 1310g
  • Weight (Accessories)
    Handle Unit: Approx. 155g
    BP-A30N Battery Pack: Approx. 243g
    CA-CP300 B Compact Power Adapter: Approx. 219g
    Battery Charger CG-A20: Approx. 145g
    Microphone Holder + 2 screws: Approx. 60g
  • Operating Temperature Range
    Approx. 0 to 40°C, (85% relative humidity)
    Approx. -5 to 45°C, (60% relative humidity)
  1. When shooting in RAW or Canon Log 2 / 3
  2. Based on 25P recording on a 512GB card at maximum bitrate
  3. Relay Recording not available during RAW or S&F Recording
  4. Double Slot Recording not available during S&F Recording
  5. Proxy recording available in XF-AVC, XF-AVC S and XF-HEVC S (depending on the main format selected)
  6. Pre Record not available during RAW or S&F Recording
  7. Depending on Sensor Mode and Format selected
  8. Available when Base ISO is set to Automatic